HART FISHER LIVE, IN PERSON, ON TRUE CRIMES!!!!
“What was going on in my life—the real story, the behind-the-scenes,” Fisher says, “is something only a few people really know. Some friends, my Dad (who passed away in 2005), Joe Monks…not a lot of people outside my inner circle had any idea what was going on. Both the good stuff and the things that made my life a living hell.”
Not surprisingly, when Fisher began to consider revealing some of the details for his new television show, American Horrors, even more spilled out than anticipated. Says longtime friend and frequent co-collaborator Joe Monks, whose own feature film (The Bunker) Fisher co-produced, “What Hart's finally letting out will blow your mind. This is the kind of interview you'd see on 60 Minutes in its heyday, or in PLAYBOY--if they had the guts to print it just the way Hart tells it. It's funny, it's shocking, it's an emotional rollercoaster. Be prepared when this documentary is finished—it's not some fluff piece about a guy who's accomplished a lot. This is riveting story about a man who survived his worst nightmares and changed an entire industry. This is the real deal, warts and all.”
Filmmaker, bouncer, post house CEO and perhaps the most controversial figure in comic books since William M. Gaines. Hart Fisher has the kind of stories roadies for the Rolling Stones envy. And he's finally telling them all.
To see the interview that started it all off, check out it out at the new optimumwound.com site (with all new pictures and youtube clips):
http://www.optimumwound.com/hart-fisher-tells-us-crazy-stories-in-the-beginning.htm
http://www.optimumwound.com/hart-fisher-tells-us-crazy-stories-about-the-boneyard-days.htm
Nobody Loves Alice director, Roger Scheck, grew up in McAlester Oklahoma where his interest in film was spawned by a close friend. While attending the North Carolina School of the Arts (Majoring in Cinematography) Scheck wrote, directed and produced his first feature film, Nobody Loves Alice. This film was shot on location in Winston-Salem, NC in 12 days over the winter break of his senior year of college. This film has since been picked up by Indie Pictures, a child of Warner, and is currently being re-mastered for it's television debut in 17 countries across Europe and Asia.
For more information on Roger Scheck Please check these links:
http://www.nobodylovesalice.com
http://www.scheckmedia.com
http://www.myspace.com/alicefilm
For more information on indy publishing legend Hart D. Fisher, visit:
http://www.boneyardpress.net
http://www.crimepaysinc.com
http://www.youtube.com/profile?user=crimepayshart
LOS ANGELES, CA- Crime Pays, Inc. founder and president, Hart D. Fisher, has announced that Christine Christian will be joining the American Horrors broadcast team as an on air correspondent and part of it’s talent pool.
“Besides being a stunning beauty, Christine Christian brings a wealth of talent and ambition to American Horrors.” Said producer Hart D. Fisher. “Not only is she a SAG actress with numerous credits, she’s the lead singer for Death Before Dancing and a prominent member of the New York fetish scene. It’s my belief that Christine will be bringing numerous surprises to the show and our east coast machine.”
Mr. Fisher has made alliances with horror filmmakers around the country, including notable indie powerhouses like John (Insaniac) Specht, Halfway House director and Emmy Nominee Kenneth J. Hall, blind film director Joseph M. Monks (The Bunker), Nobody Loves Alice’s Roger Scheck, horror taste maker and Dark Delicacies co-owner Del Howison, Mistress Macabre-Con 2008’s and burgeoning horror producer Brooke Lewis, indie horror journalist Eddie McMullen of feoamante.com and many more. American Horrors is a proud sponsor of both, the 2008 Shriekfest in Los Angeles and the New York City Horror Film Festival and the Macabre Con 2008 in Pomona.
CLICK HERE for past articles...
LOS ANGELES, CA- Crime Pays, Inc. founder and president, Hart D. Fisher, has announced that his American Horrors television show has thrown its’ support to another stellar horror film festival by becoming an official sponsor of the New York City Horror Film Festival. American Horrors will be covering the festival as part of its’ ongoing coverage of the American Horror industry for European television audiences and pounding the pavement looking for the next wave of bloody film makers.
“The New York City Horror Film Festival was one of the first festivals to screen my work.” Said producer Hart D. Fisher. “Now through American Horrors I’m looking forward to bringing our television spotlight to, what I consider to be one of the best horror film festivals in America, if not the world.”
Hart D. Fisher’s Directors Reel: http://www.youtube.com/watch?v=R7G4ubchJfQ
For further inquiries or to acquire graphics for your article please email us at:
info@crimepaysinc.com.
Here are links to several American Horrors samples:
CM Downs interview:
http://www.youtube.com/watch?v=oSSehRRk6yQ
Flowers on the Razorwire sample:
http://www.youtube.com/watch?v=kk1FRq03LJ4
Heidi Martinuzzi Blooper Clip:
http://www.youtube.com/watch?v=rzO_E0mgPOg
LOS ANGELES, CA- Crime Pays, Inc. founder and president Hart D. Fisher has announced that longtime collaborator Joseph M. Monks' debut feature, The Bunker, will air as the pilot episode of Fisher's Flowers on the Razorwire television series for the Indiepix cable channel. Beginning this fall, Indiepix will broadcast the new fright showcase as part of the American Horrors line up of programming to 120 million households in 17 countries.
The distribution agreement with Carol Angela Davis, Inc. and Global Broadcasting & Syndication Inc., calls for 22 episodes of American Horrors, which will feature Flowers on the Razorwire and other horror-related interviews, music videos & select horror features as part of it’s programming. Based on the 1990s Boneyard Press comic book series of the same name, production on the Flowers on the Razor series is already underway.
“Having written the screenplay for the first Flowers on the Razorwire episode, I was very familiar with the way Hart envisioned a full-on TV series,” says Monks.
(read more...)
